Kathleen Bomani is a Dar es Salaam–born, Philly-raised, Berlin-based multidisciplinary artist working across sculpture, film, and social practice. Her work investigates the legacies of colonial engineering and ecological dispossession, exploring how infrastructures, whether material, social, or technological, shape power, circulation, and forms of resistance, and how communities navigate, adapt to, and challenge these systems. For transmediale, she presents Deera Supremacy, a relational social sculpture drawing on Swahili women’s covert textile tactics that reimagines the vending machine as a feminist counter-infrastructure, exploring exchange, subversion, and collective protection within hostile architectures while critiquing the ways capitalist systems attempt to turn women’s daily practices and forms of care into objects of control and profit.