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Berghain Säule Night
with bela, Dreamgirls, Espectra Negra, Jana Woodstock, Tanat Teeradakorn, NúÚ P3A☭3, Vieze Meisje
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Co-curated by transmediale x CTM festival, the Berghain Säule night features a series of live sets between ritualistic noise, post-punk, digital deconstructions, and gabber, each with a unique performative edge that conjures portals to distinct worlds and fictions.
The South Korean musician bela takes strong conceptual narratives to their works, as heard most recently through Guidelines, a release investigating Nongak, a traditional form of Korean folk music. The duo Vieze Meisje bring pop, performance, humour, and rave in one dazzling act. Donning pink hazmat suits, a noisy, industrial, femme waste removal service is performed by Dreamgirls (Clíona Ní Laoi and Michelle Doyle). Verónica Mota appears as her Espectra Negra moniker, unfurling experimental, industrial, and ritualistic sonics. Jana Woodstock links the night’s sounds through wide-ranging interventions, pulling from her love of the many textures of music’s noisier and beat-propelled techno spectrum.
With support by Goethe-Institut Thailand.
bela
is a performance artist and a musician based in Seoul and Berlin.
Dreamgirls
The Dublin-based visual art/noise, industrial, femme waste removal service of artists Cliona Ní Laoi and Michelle Doyle investigates consumption, waste, and femininity through audio installations and live performances.
Espectra Negra
Berlin-based, sound artist works with analogue and digital synthesis, field recordings, and musique concrète techniques, often displaying her proficiency at playing a variety of instruments.
Jana Woodstock
is a Kyiv-based DJ and resident and founder of SNAKES (Kyiv/Montreal) and the CXEMA party series.
Tanat Teeradakorn
’s theme of research orbits on the issues around local myth, truck modification culture, club music, and discourse around contemporary media and technology.
NúÚ P3A☭3
Bangkok-based, combines fashion, performance, video, and party settings. Their work represents the soundscapes of contemporary neoliberal capitalism, often inspired by the music of the marginalized working class and queer culture, from deconstructed club to saiyor music (Bangkok motorbike gang music).
Vieze Meisje
Brussels-based singer and performer Maya Mertens writes idiosyncratic poetry that is at once heartwarmingly honest, hilariously funny, and at times brutally elegant.